Carlow
Carlow Photographic Society - http://cps.itcarlow.ie
Clare
Shannon Camera Club - http://www.shannoncameraclub.com/
Cork
Carigaline Photographic Society – http://homepage.eircom.net/~cps/
Cork Camera Group - http://www.corkcameragroup.net/index.php
Midleton - www.eastcorkcameragroup.ie
East Cork Camera Group - http://www.eastcorkcameragroup.ie/
Dublin
Clondalkin Camera Club - www.clondalkincameraclub.com
Dublin Camera Club - www.dublincameraclub.ie
Malahide Camera Club - www.malahidecameraclub.com
Tallaght Photographic Society - www.tallaghtphotographicsociety.com
Swords Camera Club - http://swordsphotogroup.mysite.wanadoo-members.co.uk/
Galway
Galway Camera Club - www.galwaycameraclub.com
Kildare
Athy Camera Club - www.athyphoto.net
Celbridge Camera Club - www.celbridgecameraclub.net
Kilkenny
Kilkenny Photographic Society - http://kevinlogan.com/kilkenny_photo_society
Kilkenny Photographic Society - http://www.kilkennyphoto.net/
Kerry
Killarney Photographic Society - http://www.photokillarney.com/
Limerick
Shannon Camera Club - www.shannoncameraclub.com
Laoise
Dunamaise Photo Society - http://www.dunamaisephoto.com/
Louth
Mid-Louth Camera Club - http://www.pbase.com/midlouthcameraclub
Drogheda Photographic Club - http://homepage.eircom.net/~droghedaphotoclub
Munster
Southern Association of Camera Clubs - www.saccinfo.com
Sligo
Sligo Camera Club - http://www.sligocameraclub.org/
Tipperary
Clonmel Camera Club - www.clonmelcameraclub.com
Waterford
Waterford Camera Club - www.waterfordcameraclub.com
Wicklow
Arklow Camera Club - http://www.arklowcameraclub.com/
Arklow, Tommy Byrne Photographic Society - www.tbpsarklow.com
Bray Camera Club - www.braycameraclub.com
Nothern Ireland
Dundalk Photographic Society - http://www.dundalkphoto.com/index.htm
Monaghan Photographic Society - http://www.monaghanphotographicsociety.com/
Bangor & North Down Camera Club - http://www.bangor-camera-club.co.uk/
Belfast Photo Imaging Club - http://www.b-pic.co.uk/
An individual has certain rights to control the use of their image. The specific details will vary from one country to another depending on national legislation, although the general rule seems to be to protect a person against defamatory or offensive use of their image.
If you intend to sell or distribute images that include people, then it is worth getting your subjects to sign a model release form as this will protect you against any comeback.
We do recommended that you mark your work with a copyright notice, as this makes it clear that copyright exists, and helps to deter infringement. For traditional prints, it is customary to use a stamp to mark the copyright notice and the copyright owners contact details on the back of the print. For electronic images, it is also possible to include the copyright/contact details in the file properties. Under Windows for example, right clicking on a image will allow you to bring up the properties dialogue where you may enter details about the file, (though this will only work with certain file types). More typically, your image software will provide a way to insert comments into the file; this is preferred as these are harder to remove.
The two primary reasons for marking your work are to ensure that those accessing your images are clear that copyright exists and that they know who to contact to obtain permission.
As with all copyright work, you should first obtain permission from the copyright owner before you use someone else?s work. You should also be prepared to pay a fee, as many photographers will charge you for using their work. Only the copyright owner can give permission, so you should contact the photographer, or his/her company, directly for consent. For images published on the Internet, it is typical to contact the webmaster of the site in the first instance, unless the site provides contact details of the owner of the images.
Note: The copyright owner has no obligation to allow you to use their work, and can refuse permission for any reason.
Under the law it‘s the person who takes the photo that owns the copyright, except for the following exceptions:
If the photographer is the employee of a company and taking the photo as part of his\her jobs, or as an employee of a company they are instructed to take the photos. In this situation the photographer will be acting on behalf of his/her employer so the company the photographer works for owns the copyright.
If there is an agreement that assigns copyright to another party.
In all other cases, the photographer retains the copyright. If the photographer has been paid for his work the payment will be for the photographer?s time and typically an allocated number of prints. The copyright to the photos will remain with the photographer and any reproduction without permission would be an infringement of copyright.
Proper focus is the first step to a sharp image.
Try to hold the camera as steady as possible, exhaling steadily and gently as you squeeze the shutter button. Don’t hold your breath.
Generally with most cameras your picture will blur if you try to take snaps with low light using auto focus. For advice on taking picture in low light conditions underwater with no flash or strobe refer to your camera’s manufacturers’ instructions.
The best colour results can be achieved by not exceeding a depth of 10 meters/30 feet. If you do not have a proper underwater flash or strobe system then you should not be any further away from your subject than half a meter/5 feet.
The easiest way for you to make your subject stands out clearly in an underwater photograph is to be slightly lower than your subject so that your camera is shooting at an upward angle.
Straight after taking each picture take a look around and ensure you know where your buddy is and that they are ok. Remember that your buddy is your lifeline and you are theirs. So ensure that your photography dive is one to remember as a happy memory and not a tragedy that you could have easily prevented.
Note: Remember to take care of the environment around you and don’t bang into sensitive reefs or kick up clouds of silt. In some places underwater photographers have a bad reputation because they let photography get in the way of protecting the very world they’re photographing.